Analysis of An American Tragedy and What Makes it a Classic :: An American Tragedy Theodore Dreiser Essays

Examination of An American Tragedy and What Makes it a Classic An American Tragedy is a captivating, startlingly reasonable excursion into the psyche of a killer. It is a memoir of its period. Furthermore, it is likewise authentic fiction. Be that as it may, what makes this novel a work of art? While society has changed drastically since 1925, Dreiser's tale, which shows the vanity of The American Dream and the catastrophes that attempting to live it can cause, precisely sums up social mores of this and whenever period. Before Theodore Dreiser was conceived, his dad, a dedicated German worker, lost everything when his huge fleece factory burned to the ground (kirjasto.sci.fi 1). After a pillar hit his head, Dreiser's dad was dependent upon emotional episodes; this cerebrum harm made him turned into an evangelist (Survey of American Literature 571). Theodore Dreiser, the twelfth of 13 youngsters, was conceived in Terre Haute, Indiana, in 1871. At this point, his folks were poor, traveling evangelists. Their itinerant way of life implied that Dreiser didn't have any friends outside his family. While voyaging, his mom instructed him to abstain from corrupting and dangerous encounters (Hart 236). Sure that his folks were disappointments due to their solid ethics and their consistent lecturing, he revolted. Dreiser had no companions, cash, economic wellbeing, or sexual coexistence, which he needed. For most Americans, these were on the whole The American Dream. For Dreiser and his most acclaimed characte r, Clyde Griffiths, living the American Dream - the shifty zenith of achievement - turned into a fixation. That fixation drove 13-year old Dreiser to Indiana University, which he failed out of. Rather than lecturing, he in a split second deserted his fruitless family for the guarantee of wealth and ladies in modern Chicago. In the wake of living in servile neediness for quite a long time (Parker 203), he functioned as a columnist for both Chicago Globe and St. Louis' Globe-Democrat, which gave him a brief look at high society. There, he wedded Sara White. Inside months, the two isolated for all time, and Dreiser turned into a traveler. While meandering, he considered the compositions of Balzac, Darwin, Freud, Hawthorne, Huxley (wwnorton.com 1), Poe, and Spenser, from which he made two philosophical hypotheses: social Darwinism administers society (Parker 203), and man's most prominent hunger is sexual (kirjasto.sci.fi 1). Dreiser followed his way of thinking; he ordinarily had a few illicit relationships without a moment's delay. In New York, Dreiser began Sister Carrie, a splendid naturalistic piece. The book was sold just 500 duplicates; it was shameful to the point that its possessed distributers blue-penciled its imprinting in 1900 (Bucco 5).